Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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CARPACCIO, Vittore
Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg

ID: 05865

CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg
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CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | The Arrival of the Pilgrims in Cologne d | The Lion of St Mark (detail) sdf | St Stephen is Consecrated Deacon (detail) dfg | Agony in the Garden dfg | Birth of the Virgin fg |
Related Artists:
Emile Bernard
1868-1941 French Emile Bernard Galleries (b Lille, 28 April 1868; d Paris, 15 April 1941). French painter and writer. He was the son of a cloth merchant. Relations with his parents were never harmonious, and in 1884, against his fathers wishes, he enrolled as a student at the Atelier Cormon in Paris. There he became a close friend of Louis Anquetin and Toulouse-Lautrec. In suburban views of Asnires, where his parents lived, Bernard experimented with Impressionist and then Pointillist colour theory, in direct opposition to his masters academic teaching; an argument with Fernand Cormon led to his expulsion from the studio in 1886. He made a walking tour of Normandy and Brittany that year, drawn to Gothic architecture and the simplicity of the carved Breton calvaries. In Concarneau he struck up a friendship with Claude-Emile Schuffenecker and met Gauguin briefly in Pont-Aven. During the winter Bernard met van Gogh and frequented the shop of the colour merchant Julien-Franois Tanguy, where he gained access to the little-known work of Cezanne.
sir herbert edwin pelham hughes-stanton,r.a.,p.r.w.s.
1870-1937
Donato Creti
(1671-1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni






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